ТВОРЧЕ СТАНОВЛЕННЯ МИХАЙЛА ВЕРХАЦЬКОГО ЯК ТЕОРЕТИКА ТЕАТРУ: ЙОГО ДИСКУСІЯ З ДМИТРОМ ГРУДИНОЮ НА ШПАЛЬТАХ ХАРКІВСЬКОЇ ПРЕСИ (1930-ТІ РОКИ)
Ключові слова:
Михайло Верхацький, Дмитро Грудина, діалектика, театр “Березіль”Анотація
У статті досліджено дискусію між учнем Леся Курбаса Михайлом Верхацьким та ректором Харківського музично-драматичного інституту Дмитром Грудиною, яка розгорнулася на шпальтах журналу “Радянський театр” у 1930-ті роки. Розглянуто особливості теоретичного становлення М. Верхацького в “Березолі”. Охарактеризовано ідеологічні та художні тенденції театрального мистецтва у кінці 20-х – на початку 30-х років ХХ століття.Посилання
Bertelsen, O. (2016), Arkhiv Rozstrilianoho Vidrodzhennia. Les Kurbas i teatr “Berezil” (1927–1988): arkhivni dokumenty v 2 t. [Archive of the Shot Revival. Les Kurbas and the Berezil Theater (1927–1988): archival documents in 2 volumes, Vol. 2, Кyiv, Smoloskyp (in Ukrainian).
Botunova, H. (2012), ““Berezil” in the center of the theater debate of 1929 year”, Zhyttia i tvorchist Lesia Kurbasa [Life and work of Les Kurbas], Lviv, Kyiv, Kharkiv, Litopys, pp. 159–170. (in Ukrainian).
Botunova, H. (2017), Тeаtralna osvita u Kharkovi: vіd dramatychnoi shkoly do Natsionalnoho universytetu (rukopys statti), [Theatrical education in Kharkiv: from the drama school to the National University (manuscript of the article)]. (in Ukrainian).
Verkhatskyi, М. (1930), To the question of dialectics at the theater, Radianskyi teatr [Soviet Theater], no. 3–5, pp. 57–62. (in Ukrainian).
Verkhatskyi, М. (1931), Against the critique of fictitious mistakes, Radianskyi teatr [Soviet Theater], no. 5–6, pp. 46–50. (in Ukrainian).
Veselovska, H. (2003), The method is a style and style as a method: formal searches in the theory and practice of socialist realism (1930–1950), Ukrainskyi teatr ХХ stolittia [Ukrainian theater of the twentieth century], Кyiv, LDL, pp. 245–291. (in Ukrainian).
Viter, V. (2010), Pedagogical mastery of M. Verkhatsky: director's aspect, Naukovyi visnyk Kyivskoho Natsionalnoho universytetu teatru, kino i telebachennia imeni I. Karpenka-Karoho [Scientific Journal of the I. Karpenko-Kary Kyiv National University of Theater, Cinema and Television], vol. 7, Kyiv, pp. 312–324 (in Ukrainian).
Hrudyna, D. (1931), Stakanchyk from the “Berezil”, Mystetska trybuna [The Art Tribune], no. 3, pp. 17–20. (in Ukrainian).
Hrudyna, D. (1931) Stakanchyk… “warriors”: the “honesty” of comrade Verkhatsky, Radianskyi teatr [Soviet Theater], no. 5–6, pp. 51–58. (in Ukrainian).
Hrudyna, D. (1931), Declarations and manifestos: about “Berezil’s paths”, Krytyka (Kharkiv) [Criticism (Kharkiv)], no. 2, pp. 92–108. (in Ukrainian).
Hrudyna, D. (1931), Relapse – or ... “strictly observed line”?, Krytyka (Kharkiv) [Criticism (Kharkiv)], no. 4, pp. 78–90. (in Ukrainian).
Hrudyna, D. (1932) Ukrainian Soviet theater for 15 years, Za markso-leninsku krytyku [For Marxo-Leninist criticism], no. 11, pp. 40–67. (in Ukrainian).
Hrudyna, D. (1934) For a high culture of Soviet pop dramaturgy, Za markso-leninsku krytyku, [For Marxo-Leninist criticism], no. 8, pp. 82–97. (in Ukrainian).
Hrudyna, D. (1934), Against “kurbasovschyna” in the theater, Тeatr i dramaturhiia [Theater and dramaturgy], no. 6, pp. 30–36 (in Ukrainian).
Tsentralnyi derzhavnyi arkhiv-muzei literatury i mystetstv Ukrainy [Central State Archive-Museum of Literature and Arts of Ukraine], Documents to the biography of Verkhatsky M. P.: personal sheet of personnel accounting, autobiography, biography, fund 1389, des. 1, case 151, 8 p.
Yermakova, N. (2012), Berezilska kultura: іstoriia, dosvid [Berezil culture: History, experience], Institute for Modern Art Problems of the National Academy of Sciences of Ukraineб Кyiv, Fеnіks (in Ukrainian).
Yermakova, N. (2007) Phenomenology of “Narodnyi Malakhyi” M. Kulish – L. Kurbas, Visnyk Lvivskoho universytetu. Seriia mystetstvoznavstvo [Visnyk of Lviv University. Series art studies], vol. 7, pp. 21–43. (in Ukrainian).
Labinskyi, M. (2004), Mykhailo Verkhatskyi: Dni i pratsia. Lystuvannia. Spohady suchasnykiv [Mykhailo Verhatsky 100: days and work, correspondence, memories of contemporaries], Kyiv, Proza (in Ukrainian).
Samoilenko, H. (2006), Dmytro Grudyna is a theatrical figure and actor from the creative circle of Maria Zankovetska, Nizhynska starovyna: naukovyi istoryko-kulturolohichnyi zbirnyk [Nizhyn antiquity: scientific historical and cultural collections], vol.2(5), pp. 98–110. (in Ukrainian).
Samoilenko, H. (2014), Hrudyna Dmytro Yakymovych, Entsyklopediia suchasnoi Ukrainy (ЕSU) [Encyclopedia of Modern Ukraine (EMU)], available at: http://esu.com.ua/.
Cherkashyn, R. and Fomina, Yu. (2008), My – bereziltsi: teatralni spohady-rozdumy [We are bereziltsi: theatrical memories-reflections], Кyiv, Аktа. (in Ukrainian).
Chuzhynova, І. (2012) Kost Bureviy and political review “Four Chamberlains”, Prostsenium [Prostsenium], part. 1–3/32–34, pp. 22–29. (in Ukrainian).
