ХОРОВЕ ВИКОНАВСТВО ЯК ПРЕДМЕТ ДОСЛІДЖЕНЬ: ОСНОВНІ КОНЦЕПЦІЇ, ПОЗИЦІЇ, ПІДХОДИ
Ключові слова:
хорове виконавство, виконавець, інтонування, творча практика, виконавська майстерністьАнотація
У статті розглянуто поширені в музикознавстві концепції у галузі теорії та історії хорового виконавства, здійснено аналіз і характеристику основних аспектів хорового виконавства. Наголошено, що в сучасній теорії хорового виконавства не вироблено спільного підходу до розуміння й систематизації хорового виконавства як цілісного явища, що існує як самостійна інтонаційна практика.Посилання
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