УКРАЇНСЬКИЙ РЕЛІГІЙНО-ЕТИЧНИЙ ЕҐО-КОНЦЕПТ У ДИСКУРСІ “САДУ БОЖЕСТВЕННИХ ПІСЕНЬ” ГРИГОРІЯ СКОВОРОДИ – ІВАНА КАРАБИЦЯ
Ключові слова:
Сковородинський архетип, веселість серця, необароковий концерт, партесний концерт, музична традиціяАнотація
У статті проаналізовано втілення українського Еґо-концепту в творі І. Карабиця, що реалізує Сковородинський сенс життєтворчості – від “материнської землі”, через життєві хвилювання, до веселості Серця і перебування у Бозі. Відзначено символіку ліричного тенора як архетипу національного співу й асоційованої з філософом флейти-сопілки.Посилання
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